From Open Culture
Apotheosis of cyberpunk culture, 1999’s The Matrix and its
less-successful sequels introduced a generation of fanboys and girls to
the most stylish expression of some age-old idealist thought
experiments: the Hindu concept of Maya, Plato’s cave, Descartes’ evil demon, Hilary Putnam’s Brain in a Vat—all
notions about the nature of reality that ask whether what we experience
isn’t instead an elaborate illusion, concealing a “real” world outside
of our perceptual grasp. In some versions—such as those of certain
Buddhists and Christian Gnostics,
whose ideas The Matrix directors borrowed liberally—one can awaken from
the dream. In others, such as Kant’s or Jacques Lacan’s, that prospect
is unlikely, if impossible. These questions about the nature of reality
versus appearance are mainstays of intro philosophy courses and
stereotypical stoner sessions. But they’re also perennially relevant to
philosophers and neuroscientists, which is why such academic luminaries
as Daniel Dennett and David Chalmers continue to address them in their work on the nature and problem of consciousness.
Dennett, Chalmers, the always captivating scholar/theologian/activist Cornel West, and a host of other academic thinkers, appear in the documentary above, Philosophy and the Matrix: Return to the Source. Part of the sprawling box-set The Ultimate Matrix Collection, the film comments on how The Matrix
does much more than dramatize an undergraduate thesis; it takes on
questions about religious revelation and authority, parapsychology, free
will and determinism, and the nature of personal identity in ways that
no dry philosophical text or arcane mystical system has before, thanks
to its hip veneer and pioneering use of CGI. While some of the thinkers
above might see more profundity than the movies seem to warrant, it’s
still interesting to note how each film glosses the great metaphysical
questions that intrigue us precisely because the answers seem forever
out of reach.
See the video at: https://vimeo.com/53000177
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