In the early 1990s, director/producer/new media artist Brian Springer learned that it was possible to pick up and record raw satellite feeds created by TV networks, including behind-the-scenes signals sent to TV shows’ control rooms that aren’t intended for broadcast (e.g., talk show sets during commercial breaks, people waiting to be patched in for an interview with a news anchor, etc.). Springer recorded these feeds through the 1992 American presidential election campaign and went on to create “Spin”, a most revealing behind-the-scenes probe into the media maneuverings of glorified handshakers and newscasters alike by way of unintended television…
Wednesday, April 6, 2016
Spin
via The Arcane Front
In the early 1990s, director/producer/new media artist Brian Springer learned that it was possible to pick up and record raw satellite feeds created by TV networks, including behind-the-scenes signals sent to TV shows’ control rooms that aren’t intended for broadcast (e.g., talk show sets during commercial breaks, people waiting to be patched in for an interview with a news anchor, etc.). Springer recorded these feeds through the 1992 American presidential election campaign and went on to create “Spin”, a most revealing behind-the-scenes probe into the media maneuverings of glorified handshakers and newscasters alike by way of unintended television…
In the early 1990s, director/producer/new media artist Brian Springer learned that it was possible to pick up and record raw satellite feeds created by TV networks, including behind-the-scenes signals sent to TV shows’ control rooms that aren’t intended for broadcast (e.g., talk show sets during commercial breaks, people waiting to be patched in for an interview with a news anchor, etc.). Springer recorded these feeds through the 1992 American presidential election campaign and went on to create “Spin”, a most revealing behind-the-scenes probe into the media maneuverings of glorified handshakers and newscasters alike by way of unintended television…
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