Cymatics: When Science And Music Dance

From IFLScience :

When you weave science and music together, what happens?

Only some of the most mind blowing, jaw dropping visuals you’ll ever see.

Derived from the Greek word “wave”, Cymatics is defined by cymatic.org as revealing “a strange and beautiful symmetry at work in nature.” Commonly described as” visible sound”, it is a branch of modal phenomena originally created by Swiss doctor Hans Jenny.

Cymatics is achieved by vibrating a plate that is covered in a thin film of a medium, for example sand, water or iron fillings, by placing a frequency though it, commonly using tones or music. We can then observe the different frequencies displacing the medium, creating intricately stunning patterns or shapes.

Check out this unbelievable video by Nigel Stanford and his crew, demonstrating the incredible applications of Cymatics.

Cymatics - Bringing matter to life with sound

“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.”

―Nikola Tesla

Cymatics is the study of sound and vibration made visible, typically on the surface of a plate, diaphragm or membrane. Direct ocular viewing of vibrations involves exciting inorganic matter such as particulate matter, pastes (both magnetic and non magnetic) and liquids under the influence of sound, although recent research has extended the range of media to include organic matter and the range of viewing has been extended to include the light microscope.

The generic term for this field of science is the study of ‘modal phenomena, named ‘Cymatics’ by Hans Jenny, a Swiss medical doctor and a pioneer in this field. The word ‘Cymatics’ derives from the Greek ‘kuma’ meaning ‘billow’ or ‘wave,’ to describe the periodic effects that sound and vibration has on matter.

The apparatus employed can be simple, such as a Chladni Plate (a flat brass plate excited by a violin bow) or advanced such as the CymaScope, a laboratory instrument co-invented by English acoustics engineer, John Stuart Reid and American design engineer, Erik Larson, that makes visible the inherent geometries within sound and music.