Showing posts with label occult. Show all posts
Showing posts with label occult. Show all posts

Tuesday, November 10, 2015

American Mysticism: The Hidden History of Positive Thinking

via The Arcane Front

We begin with a succinct introduction, acquainting us with important background information…

“One Simple Idea: A Short History of Positive Thinking with Mitch Horowitz” (Video)


Now, host Stuart Davis (“The Stuart Davis Show”) welcomes author Mitch Horowitz, who unveils the hidden history of positive thinking, which includes surprising links to occult magic, moves through the White House in multiple presidencies, and spreads from paranormal research to evangelical leadership…

“American Mysticism: The Hidden History of Positive Thinking” (Video)



Monday, November 9, 2015

Podcast: Project Poseidon's Channel Aquarius

We now have three episodes of our podcast available for download off soundcloud.

http://feeds.soundcloud.com/users/soundcloud:users:185587404/sounds.rss

The podcast seeks to take a somewhat grounded and rational approach to fringe topics such as conspiracy theories, the paranormal, ufos, the occult, metaphysics, psychology, philosophy, and where possible, we try to reflect with a sense of wonder on this thing we call a universe.

Saturday, March 7, 2015

Altered States and Paranormal Narratives with Jeffrey J. Kripal

from Disinformation

Like most readers, fellow Disinformation contributor Jeremy J. Johnson and I are both big fans of author Dr. Jeffrey J. Kripal (Mutants & Mystics and Authors of the Impossible: The Paranormal and the Sacred).



We caught up with him recently to discuss Philip K. Dick’s precognition abilities, global shamanic culture, synchronicity, and a new documentary Supernature that he has in the works.

JJ/BR: Dr. Kripal, it is an honor to speak with you. Graham Hancock, Rak Razam, Jeremy D. Johnson and I have recently come up with the concept of entheodelic storytelling. It signifies the archaic revival narrative and gives definition to a new movement of art that is influenced by the usual subjects; altered states, the evolution of consciousness, entheogens, occultism, paranormal phenomena, shamanism, and metaphysics. This also seems to be entangled with what our friend Rak has called the “global shamanic resurgence.”
In recent mainstream media we have seen a more positive view of entheogens as psychedelic medicines slowly infiltrate the mainstream. In Aronofsky’s blockbuster Noah ayahuasca acts as a sacred tea that enables prophetic visions. In The Fountain, the main character Tom engages in meditation and tai-chi in addition to maintaining a healthy psilocybin regimen. In Hannibal, everyone’s favorite evil doctor of psychology administers psilocybin on national television in order to help a patient deal with blocked psychological trauma.

Psychedelic shamanism is obviously a prominent theme in Grant Morrison’s 90’s masterpiece The Invisibles, and next to Patrick Meaney’s equally excellent book Our Sentence is Up, your analysis in Mutants and Mystics is the best analysis I’ve seen on Morrison’s ouvre.

In addition to this, other authors such as the mythologist John David Ebert, have explored metaphysical and mythological analysis of comic books in Tiny Humans, Giant Worlds: Adventures in the Universe of Graphic Novels.

Why do you think there has been such a sudden influx in mystical themes dealing with consciousness altering substances in art? What are your thoughts on the rising popularity of global shamanic culture?


JK: Well, as a historian of various metaphysical currents in American history, and particularly in the counterculture, I can tell you that none of these enthusiasms are really new. They were all robustly present in the 1960s and 70s. What is new, perhaps, is a certain sophistication or “turning of the wheel,” to use a Buddhist phrase (no doubt inappropriately). I also think that we are seeing a renewed influx in such practices and interests because of the deadening effect of scientific materialism and secular culture. It is my own view that human beings are, by nature, spiritual beings. They are not just meat puppets. This spiritual aspect of human nature is not being addressed adequately in the culture, if at all. Indeed, it is being aggressively denied. So people give up on elite public culture and go to popular culture, to comics and graphic novels, to film and to the psychedelic sacraments. Where else are they supposed to go?

The idea of synchronicity is something that is explored in two of your own books Authors of the Impossible and Mutants and Mystics. Could you talk about how synchronicity relates to altered states?

Synchronicity was coined by the Swiss psychologist Carl Jung in deep conversation with Wolfgang Pauli, the great quantum theorist. A synchronicity signals a moment when an event in the physical environment corresponds eerily well to an event in the psyche, as if the two were connected or expressions of some deeper One World, which is what Jung and Pauli thought. They called this deeper substratum the unus mundus, literally the One World. Altered states of consciousness and energy, of course, are also often defined by a profound sense that everything is connected, that the mental and material worlds are the same world, that there is a deeper or occult reality behind, within or below this apparent one, that what you see is NOT what you get. In my own work, I describe synchronicities as “nondual signals,” that is, as expressions, often very playful, of a level of reality that is nondual, that is both mental and material at the same time. This level of reality cannot speak to us directly (since it is beyond language), but it can send up signals, as it were. And it does.

Right. Henry Corbin and his biographer, Tom Cheetham, have also explored the imaginal plane in some depth which is always worth re-reading from time to time. Have you heard of the Mandala Effect? What do you think the implications of overlapping multiple timelines are for artists who may become conscious of the multiverse?
No, but I am familiar with the idea from the writings of Philip K. Dick. If an artist or author has such an experience, as Dick had in abundance, the implications are massive for both the worldview and creativity of the artist or author in question. I mean, if creativity is about connecting familiar things in new ways, overlapping time-lines would be one extremely dramatic expression of this. I think precognition and memories of previous lives are somehow expressions of this as well. If my sources mean anything, time isn’t what it seems to be.

It seems that the overall thrust of storytelling influenced by metaphysics is that it is post-ironic, and that it is meta “meta-fiction”, meaning less self conscious and more informed first by altered states, rather than simply playing around with the tropes in the history of literature. I would also say that after a recent influx of post-apocalyptic narratives we are now moving more towards post-dystopia stories, or tales that tend to see the future as dominated and controlled by spirituality, and not the other way around. I think this trend is also a direct reaction to equally brilliant post-modern authors such as Thomas Pynchon and the late David Foster Wallace, at least they are some of the most well known proponents. What do you think?
I hope so. I am very tired of the dystopias and the relativizing irony and objective distance. I am reminded here of one of my intellectual heroes, Aldous Huxley. Every American high school kid reads his dystopian novel BRAVE NEW WORLD. But no one reads his utopian novel, ISLAND, which was his last novel, which was his final spiritual testament, and which he wrote to answer BRAVE NEW WORLD point by point. Why does no one read ISLAND but everyone reads BRAVE NEW WORLD? Why are we only attracted to the dark and destructive? I tease my colleagues in the academy with a “revelation” I received a few years ago. Do you know what that was? I figured out the ultimate criterion of truth in the academy. Do you want to hear it? Here it is: “The truth must be depressing.” If you say something depressing or deconstructive, you are an intellectual. If you say something positive and constructive, you are a dilettante and a dreamer. And God forbid you say anything hopeful or ecstatic. Why is this? Oh, please do what you are doing. Please move us on.

Agree on ISLAND, definitely one of our all time favorites. Rak has done a lot of recent work with the scientist Dr. Juan on using neuroscience to validate and map the experiential charts of inner planes. You also have an interest in this. Could you tell us a bit more about that?
I have a complex relationship to neuroscience and neuroscientists. Conventional neuroscience is ideologically committed to what we call “eliminative physicalism,” basically the philosophical position that there is only matter. That is, they think that we are only tiny dead things bouncing around and forming slightly bigger things, and bigger things, until you get to “us.” They think we are biological computers, basically zombies with computers perched on top. I think that this bizarre position is more a reflection of our present fascination with computer technology and spiritual vacuousness than it is an adequate model of the brain.

But there are other neuroscientists who are breaking with this physicalism and offering other models. I am thinking of the neuroanatomical reflections around the left and right brain hemispheres of writers like Jill Bolte Taylor and Ian McGilchrist. I find their work so helpful for thinking about so many things, including how our culture privileges only left-brain cognitive styles. Still, I have a great deal of faith in neuroscience as a science (as opposed to a materialist interpretation or ideology). I also know that philosophers of mind are moving away from physicalism into the exciting new (really very old) models of panpsychism (very shamanic) and consciousness as a fundamental feature of the cosmos (very mystical).

There is kind of a doom gloom face of the global ecological crisis, which indicates that modern fictional stories simply do not matter. On the other end of the spectrum, Lewis Mehl-Madrona has suggested that everything is a story, and of course Joseph Campbell often suggested that there is a potential to be the heroes of our own narrative.

Do you believe that utilizing sacred narrative in fiction can be used as a means of combating what you call what Graham Hancock calls frankenstein civilization and the endless consumerism of predatory capitalism therein? Do you think fiction still has the potential to be subversive in that sense of de-conditioning people from the prominent mainstream view of our materialistic account of history? Or is it all a bunch of illusion and hyped up nonsense?


Our environmental crisis is partly (not completely) a function of some pretty bad stories, like materialism again. I mean, if we are only matter, why does anything really matter? Why not use up the environment? We need a new worldview, which will never stick without a new story. We desperately need new positive stories of the human spirit that can embrace all we know about the cosmos through the sciences without adopting conventional science’s anti-spiritual interpretations. This is really what MUTANTS AND MYSTICS was all about—an emerging mythology, a meta-mythology, a Super Story.

Could you tell me about the forthcoming documentary Supernature coming out? When will it be released? How did that all get started?

My friend Scott Jones is directing the film. It is an adaptation and crystallization of my history of the human potential movement, ESALEN: AMERICA AND THE RELIGION OF NO RELIGION. It began with Scott’s enthusiasm for my work and the way it addressed his own existential dead-ends. “Supernature” is neither the traditional supernatural nor, certainly, the scientific nothing. Supernature is meant to signal a kind of evolutionary spirituality that sees the human as a cosmic expression of a living conscious universe, a human nature endowed with extraordinary capacities that have yet to find any adequate cultural expression. We intend this film to be one such cultural expression, as are your art and storytelling.

We are still working on the film as we try to find resources to get the technical work done.

Sunday, February 15, 2015

The Golden Dawn

The Hermetic Order of the Golden Dawn (or, more commonly, the Golden Dawn) was a magical order active in Great Britain during the late 19th and early 20th centuries, which practiced theurgy and spiritual development. It has been one of the largest single influences on 20th-century Western occultism.

Concepts of magic and ritual at the center of contemporary traditions, such as Wicca and Thelema, were inspired by the Golden Dawn.

The three founders, William Robert Woodman, William Wynn Westcott, and Samuel Liddell MacGregor Mathers were Freemasons and members of Societas Rosicruciana in Anglia (S.R.I.A.). Westcott appears to have been the initial driving force behind the establishment of the Golden Dawn.

The Golden Dawn system was based on hierarchy and initiation like the Masonic Lodges; however women were admitted on an equal basis with men. The "Golden Dawn" was the first of three Orders, although all three are often collectively referred to as the "Golden Dawn". The First Order taught esoteric philosophy based on the Hermetic Qabalah and personal development through study and awareness of the four Classical Elements as well as the basics of astrology, tarot divination, and geomancy. The Second or "Inner" Order, the Rosae Rubeae et Aureae Crucis (the Ruby Rose and Cross of Gold), taught proper magic, including scrying, astral travel, and alchemy. The Third Order was that of the "Secret Chiefs", who were said to be highly skilled; they supposedly directed the activities of the lower two orders by spirit communication with the Chiefs of the Second Order.

Hermetic Qabalah
http://en.wikipedia.org/wiki/Hermetic_Qabalah

Four Classical Elements
http://en.wikipedia.org/wiki/Classical_Elements

Tarot Divination
http://en.wikipedia.org/wiki/Tarot_divination

Scrying
http://en.wikipedia.org/wiki/Scrying

Astral Travel
http://en.wikipedia.org/wiki/Astral_projection

Alchemy
http://en.wikipedia.org/wiki/Alchemy

Geomancy
http://en.wikipedia.org/wiki/Geomancy




The foundational documents of the original Order of the Golden Dawn, known as the Cipher Manuscripts, are written in English using Trithemius cipher. The manuscripts give the specific outlines of the Grade Rituals of the Order and prescribe a curriculum of graduated teachings that encompass the Hermetic Qabalah, astrology, occult tarot, geomancy, and alchemy.

Cypher Manuscripts
http://en.wikipedia.org/wiki/Cipher_Manuscripts

Trithemius Cipher
http://en.wikipedia.org/wiki/Trithemius_cipher

According to the records of the Order, the manuscripts passed from Kenneth R. H. Mackenzie, a Masonic scholar, to the Rev. A. F. A. Woodford, whom British occult writer Francis King describes as the fourth founder (although Woodford died shortly after the Order was founded). The documents did not excite Woodford, and in February 1886 he passed them on to Freemason William Wynn Westcott, who managed to decode them in 1887. Westcott, pleased with his discovery, called on fellow Freemason Samuel Liddell MacGregor Mathers for a second opinion. Westcott asked for Mathers' help to turn the manuscripts into a coherent system for lodge work. Mathers in turn asked fellow Freemason William Robert Woodman to assist the two, and he accepted. Mathers and Westcott have been credited with developing the ritual outlines in the Cipher Manuscripts into a workable format. Mathers, however, is generally credited with the design of the curriculum and rituals of the Second Order, which he called the Rosae Rubae et Aureae Crucis ("Ruby Rose and Golden Cross" or the RR et AC).

more can be found here:

http://en.wikipedia.org/wiki/Hermetic_Order_of_the_Golden_Dawn

Life is But a Dream - Essays for the Discordian Occultist

Part 1

“As sunlight obscures the stars by day so too does wakefullness blind us to the fact that we are still dreaming.”

– Liber Kaos, Peter J Carroll.

Everything you experience of the outside world has to pass via your senses into your brain. Your body acts as an instrument through which reality is filtered. Ignorance allows you to focus. You always exclude more than you are taking in. If this article has your full attention it will necessarily be at the expense of other things.  If you’re reading it on your mobile in a pub some people will see your focus as ignorant, for example.

It is with your memory and imagination that you decode meaning from the chaos of the external world. You’ve been around in some form or other since the dawn of time. In my experience it’s only recently that any of it has made any sort of “sense” thanks in the main to my memory and imagination.

However, that “sense” and meaning is ultimately decided by you. You get the final call as regards what is or is not “real”. This is the case with everything you have ever experienced.

Sleep is a good expression of this truth. While enveloped in sleep the brain invents scenarios by ignoring most sense data. This act of invention is usually a result of your subconscious mind combining memories and imagination. This video posted on Disinfo recently about lucid dreaming allows you to investigate the dream state further by learning to use your conscious mind to create dreams. There’s plenty of information online elsewhere about the process but a simple three step guide for the busy Discordian would run something like this:

    Step one: Resolve to perform frequent ‘reality checks’.

    Reality checking techniques vary from person to person but I find pulling my hands up into my line of vision is enough. This is tricky for me to do while dreaming as they usually appear a little slow moving or blurred. Other people switch electric lights off and on or try reading words, in short perform any simple activity you find is usually difficult in a dream.

    Do these checks every hour or so until it’s an instinctive habit. The point of them is to trigger the realisation that you are dreaming.

    Step two: Keep a dream diary and fill it in every morning.

    This principally aids your memory and ability to recall any dreams from the previous night. No point in lucid dreaming if you forget about it the next day.

    Step three: Learn not to freak out when you do finally feel lucid within the dream state.

    I fell into the trap of waking up each time I realised I was dreaming for a while. This was mainly because I’d get so excited when a reality check revealed I was dreaming that I’d also trigger a ‘fully conscious wake up in the middle of the night situation’.

    Step four: Explore the world of lucid dreaming where anything you think is true becomes the case instantly.

Magick is the art of manipulating reality both internally and externally. Lucid dreaming is an interesting preparatory first step. Further magickal exercises will build upon principles you’ll discover as your mind becomes more able to consciously manipulate the dream state. Most so-called low magick is principally concerned with projecting dreams outward into our external reality. There’s little point in doing this if you can’t dream properly.

The phrase “living the dream” owes more than a little to magickal thinking. However, our aim is to live this dream we call reality in a fully conscious ‘awakened’ state.


http://disinfo.com/2012/11/life-is-but-a-dream/

Part 2


“Reality is that which, when you stop believing in it, doesn’t go away”

- How To Build A Universe That Doesn’t Fall Apart Two Days Later, Philip K. Dick

Magick is a highly subjective skill. According to the occultist, Ramsey Dukes, as a discipline it lies somewhere alongside ‘art’, ‘science’ and ‘religion’ [1]. All of these pursuits require a certain state of mind. The magick user who entirely excludes the possibility of magick from his worldview is like a cleric who knows no God, an artist with no appreciation for art or a scientist who refuses to accept the laws of mathematics. It’s not necessarily the case that you will be unsuccessful but it’s significantly less likely. So, for as long as is comfortable[2], it’s time to allow magick to be part of your reality.

This essay includes two exercises, the first will involve noticing magick and the second will involve using it. The first exercise is outlined below in three easy steps:

    Step one: Resolve to notice the number 23.

    The particular number is not relevant at this stage. Some observe the number 11 or 13 or 7 but as we’re Discordians the number 23 will tune us into the right state of mind for this series of thought exercises. People who are inexperienced in the ways of numerology are advised to watch Eric Cartmen’s explanation of the causes of 9/11 [Mystery of the Urinal Deuce (Season 10, Episode 9)]. A good numerologist can easily spot the 23’s in the numbers 203, 2003, or, at a push, 5.

    Step two: Get your dream diary and record what 23 means to you each time you see it.

    This diary will now be re-named a “spellbook”. Spells can take years to manifest and there’s no way of checking your effectiveness if you can’t remember which ones you have cast.

    Step three: Learn not to freak out too much when the number 23 does actually seem to take on some sort of significance.

    I suggest you apply maximum fluidity to the meanings you start to notice here. The number 23 doesn’t usually acquire one meaning and the more you pay attention the more you should realise it’s neither always lucky or unlucky. All we are noticing is it carries a certain significance.

    Step four: Toward the end of the week (usually by the fifth day) you’ll be able to explore a world where other random details can also be viewed as significant.

In his occult masterpiece “The Secret History of The World” Jonathan Black nails a description of the sort of mindset we’re trying to invoke here:

    “In this history the universe is anthropocentric, every single particle of it straining, directed towards humankind. […In] the mind-before-matter universe that this book describes, the connection between mind and matter is much more intimate. It is a living, dynamic connection. Everything in this universe is alive and conscious to some degree, responding sensitively and intelligently to our deepest, subtlest needs.”

    [my italics]

    The Secret History of The World, Jonathan Black. P33-34

While dreaming one’s thoughts manifest almost instantly and if you’re lucid at the time this process is easily observed. Now you have entered a more magickal state of mind we’re going to see how long it takes to replicate this process in waking life. This next exercise is similar to one suggested by Pope Bob in the first chapter of “Prometheus Rising”[3]. The only difference is we’re adjusting things slightly to account for inflation and we are not searching for any explanation other than a magickal one. Once again it is a three step process:

    Step one: Resolve to evoke a nice shiny fifty cent piece.

    Step two: Keep an eye out for the fruits of your evocation.

    Step three: Learn not to freak out when you finally do find it. It will be found by you easily and the moment you’ve got it in your hand you will be ready for part three of this five part series where we will finally get cracking on some real high grade Discordian nonsense.

    Step four: Wonder why it is that each of these three step plans has had a fourth step?

Part 3

    “Thoughts are things” – Prentice Mulford, noted American philosopher.

Previous articles in this series, “Life is but a dream” and “Living The Dream,” have deliberately avoided too much theory and focused instead on practice. One of the reasons we started in Part 1 with lucid dreaming is because it acts as a safe environment for your early magick use[1] while teaching you most of the essentials in a fairly short period of time. For example, in that particular state you will have noticed the slightest negative thought manifests instantly. Furthermore, if you set out to have a nightmare it’s not hard to make yourself wake up screaming. However, few people do this because dealing with such situations usually comes instinctively. After all in that world you are an all powerful great magician who can make even the grass go green.

Now your experiments are moving into the external world where you will have spent years learning how limited your power is. The key point here is that everything you’ve ever encountered has had to come through your own reality filter, otherwise known as your mind[2]. Everything you know about the outside world has had to pass through the bowels of your brain.

During these exercises lets agree for the moment that you cannot order the chaotic external world and focus instead upon the only thing you can control, your mind. Think of the techniques below as safety precautions which have been shown by others to help keep that vital instrument clean and healthy.

1, Cultivate a level of “mindfulness” with daily meditation

Meditation is a good start. I use the techniques taught by Alan Watts[3] as a matter of personal preference. Meditate frequently as part of a daily routine and you may glimpse a sense of what Buddhists call mindfulness. This encompasses a feeling that judging events and circumstances is futile. It’s an excellent way to avoid nightmares as fear requires you to make a judgement. Resources on how to meditate are available elsewhere online and there are many variations on this. In a nutshell here is the three step process I use daily:

    Step one: Frame it as an activity which you are doing in the spirit of play, it’s not a solemn duty or task. It’s in essence meant to be fun.

    Step two: Find a comfortable place and time where you will not be disturbed. You’re about to ignore the outside world and sit in it without interaction, this will be easier if you’re free of distractions. Set aside around 30-60 minutes. Follow whichever specific procedure appeals to you most but personally speaking I was first drawn in by the simplicity of an exercise called “the mindfulness of breathing”. Here you close your eyes and count, in repeating cycles of ten, the natural flow of your breath.

    Step three: Learn not to freak out too much when life gets in the way or when you have an unexpected moment of success.

    Step four: !

2, Adopt a temporary moral code.

Try using the beliefs of a “moral” spiritual system for a while and see how it suits you. Magick is a highly subjective skill so which set of scruples you choose to use is entirely up to you. Any theology which has a moral system that appeals will do but personally speaking my favourite option is contained within a short New Age masterpiece called “The Four Agreements” by Don Miguel Ruiz.[4] It takes an afternoon to read and carries less baggage than any of the more serious religious options. Give it a go in the same week you spend meditating and notice how your reality starts to shift into an easier place.

Here is the three step process, contained in more detail within, The Four Agreements:

    Step one: “Be impeccable with your word”.

    If you say you’ll do something ensure you actually do it. Avoid lying to people and think of it as a weapon not unlike poison.

    Step two: “Don’t take anything personally”.

    No one really knows you or why you’re doing what you will. If they say or do good or bad things it speaks only of their own character. This is also true of your own judgements. Say nice but truthful things about people and you’re exercising positive internal energy. Keep bitching about people and you’ll emphasise the bad in yourself.

    Step three: “Don’t make assumptions”.

    Discover the world with your own mind, don’t be led by others. Trust yourself and investigate the reality you personally inhabit. We all live in different worlds and it’s far better to gaze in wonder than become one of those dull characters who assume they know it all.

    Step four: “Always do your best”.

Hopefully the above brief description has enticed you to go look at that book. Get it from a library or buy it or whatever, don’t just use my incomplete description of it. However, as with all these essays I am suggesting tools not rules. It’s perfectly acceptable to try Christianity, Islam, Satanism, Judaism, or any of the other deeply moral spiritual systems available in today’s theological supermarket. You’re only doing it for a bit though so don’t go telling everyone, they might get upset if you decide to give their BS[5] a miss later on.

3, Learn not to freak out

The advantage of your path is that Discordianism is a joke religion. Laughter is the music from which our universe is created. In the words of G.K. Chesterton, “the angels can fly because they take themselves lightly”. The moment you forget this you might fall into the trap of taking things seriously. So, here’s a quick three step guide to some of the things you need to know before going any further:

    Step 1: There is in fact no such thing as magick.

    Step 2: Maybe you should stop using the word “is”.

    Step 3: A good Discordian never believes anything they can read.

    Step 4: As a “High” initiate there is obviously nothing I can ever actually let you know about Discordianism.

4, Cultivate a sense of your true will.

All systems of magick are pretty hot on the notion of free will. Even the control-freak Gods of the the Abrahamic religions recognise in their more sober moments that you must respect other people’s right to self determination. They don’t do this because they’re ‘nice’ Gods, they do it because the consequences for a magick user who tries to control another are not beneficial in the long term. There’s a deep misunderstanding in some forms of modern occultism that bending others to your will is a worthwhile exercise, in my experience it’s not. In fact it locks you into a situation where you will ultimately depend upon them rather than yourself.

A good occultist entices people to co-operate rather than forces them to do so. However, not pushing other people around is the easy part, working out if you’re being true to yourself is far more problematic.

Getting to know thyself is a lifelong task as you are changing all the time. This essay could be a first step towards you really considering that journey of self discovery or, more likely, it’s just a timely reminder.

At a guess your body will likely currently be full of drugs, toxins and ideas that do not really belong there. Is it your true will to drink more beer or are you in fact under the influence of alcohol and by extension the will of the company who sells it? Did you really want that bar of chocolate or did the idea get seeded in your subconscious mind by a clever advertisment?[6]

Don’t get me wrong here, I’m not suggesting you need to stop the drink or drugs I’m just pointing out if you’re going to use them make sure they don’t end up using you. Do these things mindfully or they cloud your judgement when it comes to discerning your “true will”. We’re Discordians, not monks. We live our lives but before you use the techniques of magick it’s worth you ensure it’s your drerams you are living and not someone else’s.

If you follow all of the above stages any problems you face will be more easily placed into perspective. Without wishing to lift the magick curtain too much next week you’re about to do nothing more than try an instense experiment in applied philosophy. Unlike Thelemites or other occultists you’ve always got the comfortable back door provided by the fact that Discordianism is a joke, it’s nothing more than a chance to play around with funny ideas.

Part 4:

    “Magick has many aspects, but primarily it acts as a dramatized system of psychology”

    - “Pope Bob”, Robert Anton Wilson



Here’s one way of making a sigil. It’s partly cribbed from a talk given by Grant Morrison at the Disinformation conference[1] with slight personal additional details provided by my own experiences. Sigils are a low-magick technique which will not fail to get you exactly what you need. It can become a high-magick technique but for the moment we’ll just stick to the basics[2].

One important thing to note is that sigils always appear to work. The distinction being; if I kicked in a window, I’d feel I knew who’d done it. If I cast a sigil which asked for that window to be broken and then discovered a few days later it was now broken, no one can prove a causal relationship between the sigil and the broken window. However I might get the impression that my sigil was involved in the process somewhere.

Secondly, the following is a (in my opinion better) version of other ideas that have been kicking round recently such as, The Secret, Cosmic Ordering, and, to a lesser extent, “positive thinking”[3]. It’s also similar to “preying,” if you think your God lives within you[4].

All these above techniques have common elements. All of them are pretty much in agreement regarding the first part of the process, set your intent. The most effective Discordian occultists spend more time on step one than they ever do on step four.

Step one: Decide upon your will.

– All your workings should be done with pieces of paper and a pen.

This is the hardest part. You need to imagine what it is you want as clearly as possible. Then refine it until you’ve got a vision of what it is you ‘really’ want. Then refine it again after you’ve imagined the earth shifting upon its axis in order to grant this wish over the next few years. Check you’re good with the consequences and then, refine it again. I can’t emphasise this enough. See the further reading section for more details.

Once you’re happy write it out as a single sentence:

EG: I AM A HEALTHY FOURTEEN AND A HALF STONE, ENERGETIC PERSON.

Notice a few things about the above. When I cast this I wanted to be 14 and a half stone. There are many ways this could have happened, some of them include ill health. Hence the words healthy and energetic.

Think of those old fairy stories where someone makes a wish and there are tragic consequences. King Midas wanted everything he touched to turn to gold. He ends up regretting his wish. The difference between your sigil becoming a blessing or a curse is in its detail. Give it lots of thought. Write and re-write the sentence. Check the further reading section for more information.

Also notice, it’s not “I WANT TO BE” or “I AM THIS AND NOT THAT”. Negatives in sigils are just negative! If you write “I WANT TO BE A MILLIONAIRE” look forward to a life of wanting to be a millionaire. Remember what we learned in part one where you began lucid dreaming. What would happen to you if you dived into the dream world with negatives in your mind?

If you truly have followed this series from part one, as opposed to most who will have  just casually landed on it and curiously read to this point, why not try to lucid dream your intended future first and try it out a bit? If, for example, having lots of sexual partners gets messy in that world ditch it and come up with a better wish. It needs to feel like a world you are comfortable in. Once that’s the case, state it as if you are already there, in that positive future.

As an exercise imagine you’re in that future calling back into the past when you wrote out this sigil. Try describing and declaring what it’s like in as much detail as possible. Now listen out for your “imaginary” future self shouting “I’m the owner of a brand new convertible and I love it” or whatever. Now, write it down!

Finally a note of caution here. Remember we spoke about ‘true will’ in the last piece? Well, if your dreams and visions involve others do not enchant realities which compromise their true will.

So, for example, don’t put “I am married to Dave who works in accounts”. Ask for a less uncompromising: “I’m married to a bloke like Dave who works in accounts”. This doesn’t rule Dave out of the equation, after all who is more like Dave than Dave? However if he thinks you’re a repulsive creature who he’d rather vomit over than have sex with, you’ve given the poor guy a get out and you can still get what you need. Far better to enchant someone, like him who likes you of their own free will.

It’s not unlikely you’ll encounter minor problems with all this but remember what you learned in part three and fear not: you will live and learn!

There’s nothing to stop you doing another sigil in the future.



Step Two: Remove the vowels and repeated letters.

The first step was by far the most important part. These next bits are 1% of sigil craft and the bit you’ve just done was the remaining 99%. However, this 1% which I’m about to explain is the more “magick” bit. It’ll make you feel more like ‘an occultist’ and there’s enormous value in that.

This means you should check you’re comfortable with what you’ve just done as part of this second step. You need to feel good on both a subconscious and intuitive level about the sentence you’re turning into a weird looking symbol. If you’re not it’ll come out in the process later on once the sigil is cast. For now, I’ll assume you are and crack on.

Firstly, sigils are crafted and re-drafted by a process of elimination. Like a sculpture you’re going to chip and chisel that sentence down until it looks like a sort of magical wingding. Begin this by removing the vowels and repeated letters, leaving yourself with a string of consonants, like so:

MHLTYFRNDSGCP

An example of my weight loss sigil in its early stages

Step three: Combine the letters into one big pattern and begin reducing it into a simpler image.

This bit is where most people get in a tizz. Remember the most difficult part of the process was over once you’d finished step one. There are no rules as to how you go about combining the letters but I find it best to jumble them all into one big squiggle. The main picture is an example of the one we’re looking at. Ultimately it was successful and I used a revised version to hit my target weight of 13.5 a year later. This is down from my initial 18.5 stone.

Keep re-drawing it and omitting details as you go along. The point of this process is to lose sight of what it is the sigil means. Keep drawing until the exact point of your work is irrelevant to you. Get really bored of the process and lose sight of why it is you’re bothering with such superstitious nonsense. Make it look more and more “magickal” to you. Hit a point where it starts to become a labour of love which is totally detached from your initial intent.

The finished product must look perfect and beautiful. It represents the total of your efforts. This is now a sigil, yet to be cast. It represents a thought which you are about to plant into the collective dreamworld so it can start to descend into the world of objective reality and your future.

Not quite but almost the finished product

Treasure it a bit. Don’t cast it straight away. Be pleased with it.

Step Four: Cast it.

People are divided upon how exactly you should do this. You’re looking for an intense transcendental experience where you can focus on this image and force it through your mind into the magical dream world while you are fully conscious. Pain, meditation, orgasm, psychedelic-transcendental drugs or all of the above combined are popular methods. Whichever you’re best at. Combine the intense experience with a good solid look at the sigil. Then close your eyes and think of it. Project it into your minds eye and out into the cosmos. Then destroy the paper it is drawn on and forget all about it.

One simple way, which I use, is with a candle. Have the sigil drawn on a piece of paper. Burn it and then let the flame burn (but not harm) your fingertips. At that precise moment close your eyes and picture it in your mind. There we are, it’s cast. The pain should have done enough to distract you and send it neatly into the world of ideas…

There are numerous other methods but the most important part is, as I said, step 1.

Once you’ve cast your sigil you must then aid its descent into the real world. If you asked for a new job, get applying for them. If you wanted to lose weight like I did, stop eating those chocolate cakes.